Fritz Imhoff

Höllische Liebe

In hell, equipped with the latest technological advances, the devils watch the happiness of a Viennese revue singer and her sculptor fiancé on a television screen. Some representatives are sent to Earth to seduce the singer and thus undermine the couple's love, but this soon leads to rebellion among the devilish emissaries, who want to emigrate.

Masquerade in Vienna

A risque drawing is published and threatens to compromise the model, a doctor's wife. Artist Heideneck protects her and invents a name. But the name exists, and this respectable lady is drawn into the artist's shady affairs.

Viennese Girls

Begun in 1944/45, finished and released in 1949, this is a biography of the composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.

Vienna Blood

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

Immortal Waltz

Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.

Dreimal Hochzeit

Prince Alexander loves the commoner Vera and defies his uncle the Tzar as well as his peers by arranging his wedding. But Vera leaves him because she does not want to be the cause of him spending the rest of his life as a social outcast.

Die Fiakermilli

An incredibly popular stage performer unknowingly falls madly in love with the lone critic that savaged her performance in the press.

Millionäre

"Millionaires" is an Austrian feature film from 1937, a comedy directed by Karlheinz Martin. The film premiered on July 31, 1937, in Vienna and is based on a story that illuminates life and love in the social milieu of the time.

Vienna, City of My Dreams

In the made-up country of Alanien, King Alexander I has been overthrown while abroad. Now, he's in Vienna with his daughter, the city of his fondest memories since studying there as a boy. It doesn't take long for the charm of Vienna to work its magic on the former king: he quickly comes to terms with the new situation and is able to enjoy the Austrian capital sans all the ceremony and trappings which would otherwise accompany him on a state visit. The princess is content with preparing herself for a career as a pianist concert, while the former king takes a job as a chauffeur in the embassy of the country he once ruled. The revolutionaries are shocked; and his days in Vienna are numbered.

Der alte Sünder

Der Verschwender

Musik für dich

A film for scatterbrains. Everyone's constantly forgetting something – the daughter the little dog, the father the files, the chauffeur forgetting to close the roof of his taxi when it's pouring rain and his passenger gets soaked. Everyone rushes through life and doesn't even have time for themselves. Then a "young" student (Hans Söhnker) returns to his hometown. He receives a lavish welcome and, at 34, is probably one of the oldest students in German film history. He has three fathers who support him financially and studies on their money. Interminably. Now he has to accept that his fathers have run out of money for his studies. So he rolls up his sleeves, forgets about the expensive degree, and switches to a trade. He does hair, he drives, he assembles film, he shaves, and he pins seams. There he meets a young lady, has time to serenade her, and then learns that his biological father is a millionaire, who now lends him a hand and distributes cash to the other cash-strapped fathers.

Die heimliche Gräfin

A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.

Frühjahrsparade

This Hungarian musical comedy (English title: Spring Parade) was produced by Joseph Pasternak, who later remade the picture in Hollywood as a Deanna Durbin vehicle. The original 1934 version stars Franciska Gaal as a Hungarian serving girl who heads to Vienna to visit a relative. Stopping over at an outdoor carnival, Gaal is told by a fortune teller that she will enjoy a happy marriage with a handsome and wealthy stranger. Later on, she finds herself at a fancy dress ball, where a good-looking aristocrat, assuming that our heroine is a countess masquerading as a peasant, falls in love with her. Delighted that the fortune-teller's prophecy seems to be coming true, Gaal finds herself in a dilemma when she falls in love with poverty-stricken soldier Wolf Albach Retty. But things turn out OK when Retty, the regimental drummer, composes a hit song which brings him fame and fortune, thereby neatly fulfilling that prophecy.

Suburban Cabaret

In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.