
Wrongfully accused of a crime she didn't commit, 13 year old Guadalupe Santos is sentenced to 30 years in jail, while in jail she gives birth to a baby girl who is taken from her by her older sister Milagros. 15 years later she escapes jail and meets with Daniel Moncada who turns out to be the brother of the man she was accused of killing.

Como en el Cine is a Mexican telenovela produced by TV Azteca in 2001. Created by Veronica Suarez, it was directed, produced and executive produced by Don Antulio Jimenez Pons. Lorena Rojas and Mauricio Ochmann are the Main Protagonists.

Paz Roble, a kind, hard-working and honest woman from whom her husband, Fermín, takes her newborn daughter. Fermín has a large debt with some lenders and to pay it he decides to sell his daughter to Mauro Nicoliti. This plagiarism is orchestrated by Geneva, Mauro's adoptive sister. She lost her first-born daughter in childbirth and does everything to replace her dead daughter and keep her husband's fortune. On the other hand, Esteban Villa de Cortés loses his wife and becomes a widower with his three children. Elvira Moncada, Esteban's mother-in-law, holds him responsible for the death of her daughter. After a series of unexpected events, Esteban and Paz meet in the neighborhood where she lives with her family. The chemistry and great understanding that exists between them makes it inevitable that they will fall in love.

Las Amazonas is a Mexican telenovela produced by Salvador Mejía Alejandre for Televisa and originally broadcast on Las Estrellas from May 16 to September 4, 2016. It is based on the Venezuelan telenovela Amazonas (1985). The story follows ranch owner Victoriano Santos and his three daughters, whose lives are transformed by love, family rivalries, and long-hidden secrets. As old betrayals resurface and unexpected romances develop, they must confront painful truths that will test their relationships, reshape their family, and change their future forever.

Carlos Martínez is an undocumented Mexican who lives in Los Angeles. He is an honest and hardworking man who has the constant fear of being deported and losing his two sons: Luís and Rodrigo. His great dream has been to give them a better life, but his desire is overshadowed when his eldest son, Rodrigo, disappears without a trace and joins a gang. Meanwhile, Carlos will try to protect and keep Luís away from the dangerous networks that plague the city. In his desperate attempt to take care of him he will meet Adela, a gang member who will steal his heart.

After realizing their babies were exchanged at birth, two women develop a plan to adjust to their new lives: creating a single —and peculiar— family.

The story of Violetta, a young woman who flees her native Mexico to start anew in New York City. But instead of a living a dream, Violetta is awoken to a harsh reality when she runs out of money, sending her into the arms of the villainous Nefastófeles.

The story revolves around Flor (Ana Serradilla), a happy and beautiful woman who knows Valentín (Joaquín Ferreira) a "man's disaster", but even so she likes him as he is, everything was cheerful, fun and lived happy, but due to Valentín's problems, he dies. And in the midst of the loneliness and pain of having lost her husband. Teodoro (Sergio Mur), Ana's friend and who was always in love with her, decides to start conquering her. Everything was fine, "normal, calm and a little boring" as a marriage should be. Until in one night Ana asks for a wish "that her husband returns", until suddenly her wish comes true. And now Ana does not know how to live with the ghost of her late husband and her current husband.

La cama is a story that gives a voice to reveal the secrets held by beds. If your bed could speak, what stories would it tell? We spend more than a third of our life in bed; it is the uttermost intimate space. In them lay our secrets; perhaps that is why we never think about them. They are a direct witness of who we are, or who we wish to be. Who would give their bed a voice? Surely nobody in his or her right mind. What secrets are held by motel beds, that of a teenager, a newly divorcée, that of your neighbors?

One real hour. An hour of suspense. An hour of life and death. After 60 minutes, nothing will be the same as before.

Shot during a three year period, this true story views the separation process of the pop music group OV7 (previously Onda Vaselina), whose seven members worked and shared each other's lives for 15 years, from the age of nine until they turned 24.

The beautiful and seductive Karnachas sisters have turned a group of swindlers upside down, who expect a juicy amount for their kidnapping, but everyone's clumsiness will end in disaster.

Daniela is a regular middle-class teen whose life changes radically when a family member abuses her sexually. To solve her problems, Daniela decides to take some very dangerous actions that will change her forever.

In the future, nations have been replaced by Projects that are managed like corporations. Neighborhoods are Quadrants that closely monitored by the supervisors of the Projects and these are led by a man named BLAS. Productivity at all costs is at the core of the new society. Against this backdrop, ROSA Santos, a university student, falls in love with DANIEL, another student from a lesser Quadrant, much to the dismay of her mother. Rosa's mother will stop at nothing to better hers and her daughter's life including forcing her to marry an influential member of the Supervisors, Stefano GRAVELLI, a move that unleashes a series of events that will drag Rosa and Daniel into a conflict of political intrigue and danger.

Vladimiro's illusion of finding peace and quiet away from his family in his underground fallout bunker is ruined when he's forced to share it with a shady tycoon hounded by kidnappers, terrorists and activists.