
A married women has to fight for the things she lost because of the revealed secrets of her husband.


Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

Upon being released from prison, Ferdi (Ferdi Tayfur) returns home hoping to put his past behind him and lead a quiet, peaceful life. However, his hometown offers little sanctuary, as local rivals and old enemies are waiting to settle scores. Around the same time, Selma (Necla Nazır), a mother driven by necessity to work as an oriental dancer in a local venue to fund her child's education, arrives in the conservative town. Her line of work creates immediate friction and moral judgment among the locals. When Ferdi's enemies instigate trouble for her as well, Ferdi and Selma find themselves facing common adversaries. Brought together by shared hardship and local hostility, the two form an unexpected bond, supporting one another in a town determined to push them to the margins.

Close friends Yunus and Ercan are peddlers. But they can't make enough money. They try to extort money from rich businessman Fehmi Koç several times. Fehmi Bey, who knows Yunus and Ercan in this process, offers them a job. Thanks to this job, the lives of two friends will change.

A love story between a ballerina and a writer. Ahu’s greatest dream is to one day modernize and stage the dances of ancient civilizations. Ahu, who needs to train in ballet to pursue this goal, cannot afford the tuition and is forced to put her dreams on hold. However, wealthy men are willing to grant Ahu all her wishes in exchange for marriage. Ahu, however, rejects these offers, which she views as little more than business contracts. One day, she meets a writer who will change her mind about marriage.

Ayhan is a police officer who has left his job. He starts a new life in the forest house, far from the organization and everything he has been struggling with for years. During an uneasy hunt, he shoots a weasel. Karadayı, who appeared at that time, warns Ayhan about weasels. Karadayı looks like a good person despite his strange demeanor, but his prophecy about weasels is terrifying. Facing with the memories of the past at home, Ayhan also struggles with the weasel that has haunted him.


Two lifelong friends are determined to save their beloved local football club, Kadırga Spor, by securing a crucial transfer player. However, borrowing money from a dangerous loan shark backfires, sending them into a chaotic race to protect both Kadırga Spor and themselves.




A secret murder plot at a forest cabin collapses as greed, uninvited guests and the mafia turn the night into a fight for survival.
