
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.

In order to pay the rent, a young ballet dancer living in Paris accepts a job in an upmarket strip club. She soon devises a unique act that captivates audiences and catapults her to stardom.

Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.

Serge, alias Count Fornari, is hired by a mysterious employer to try to steal the Nabob, an exceptionally valuable diamond that Jeannette, alias Aménita (Perrette Pradier), the companion of a billionaire, wears as a locket. She covets the diamond and steals it from the safe. About to be caught in the act, she keeps it hidden in a handkerchief in her hand and manages to conceal it in Serge's pocket during the hotel ball. When she rejoins the billionaire, he asks her to open her hand, but the diamond is gone. The result is a chase full of misunderstandings and twists and turns between the three protagonists.



Paul Martin is the subservient brown-nosing youngster who needs quick advancement up the hierarchy to pay for the modern lifestyle he is buying on credit. Seeing that marrying his immediate superior's daughter will not get him the results he wants, he begins plotting the demise of the head of the company. The company itself specializes in holiday travel and unscrupulously brutalizes its customers for maximum profit, spending more thought on publicity gimmicks than customer service...
