
Lal Salam is an Indian entertainment talk show hosted by actor Mohanlal on Amrita TV. The show is themed around Mohanlal's film career, it also introduces and honours humanitarians and social workers, and has other interactive and performance segments. It is the first television presentation by Mohanlal, hosted alongside Meera Nandan.

Sankara Narayanan always hears incessant voices in his head and he gets admitted in a mental asylum. A doctor tries to reunite him with his family by curing his mental illness.

Kunjunni, an orphan, and Radha, who makes a living by selling statues of deities, love each other. However, problems arise when her father opposes their relationship.

Anil decides to look for his friend Hari who has been missing since seven years. When he finally locates him in Punjab, Hari claims that he is Harinder Singh and has no connection with Kerala.

Mathukkutty, an unemployed man, lives in Germany with his bossy wife. He is given a chance to travel to Kerala to invite famous actors for an event, but all hell breaks loose after his arrival.

A photographer is haunted by the ghost of his dead brother who always craved love. Mohan is a photographer who has separated from his wife, an aspiring actress. His brother, Sankaran is married to a much younger Rajalakshmi, whom he deeply loves. Sankaran dies due to a snakebite, but returns as a ghost. He then begins haunting his own brother!

Chef Nandagopal (Mohanlal), while publicly known as the chef of the popular Nandu's Food Court, is also 'Lokpal' (Peoples' Protector), who fights corruption. The film does a flashback to Nandagopal's backstory which involves "attempted murder, a juvenile home and unrequited love

Krishnakumar, who pursues a career as a percussionist and teaches the mridangam, joins an engineering college in Kochi city. When Anjana, a fellow student, falls in love with him, his life takes a turn as her fiancé, Sudhi, attacks him out of jealousy.

Ten interconnected short stories unfolding around a roadside railway café in Kerala, where travelers from diverse backgrounds pass through, their lives briefly intersecting amid themes of migration, relationships and modern struggles.

The village of Kanakkodu is free of politics and political parties. Pala Thankachen spread the seeds of politics in the calm atmosphere prevalent there. Consequently, the villagers divide themselves into different political groups.


An investigatory story that centers around an Assistant Commissioner of Police, Ratheesh Vasudevan who uncovers the mystery behind the illicit killing of a young communist, Anoop.

Meera Nandan from Kerala does a good job as well the other missy Shruthi Nair. Meera suits the role of an innocent girl while Shruthi as a local flower vendor excels with her vocalism and slang. On the pars, the other guys enacting Akil associates’ roles are good enough with their style. Musical score by Ilayaraja is commendable and yet there are no need for certain songs in the film. Background score is good adding more flavors to the film’s pace. Azhagappan’s cinematography is embellishing the screens. Screenplay is quite middling on certain points and Ananda Narayanan should’ve corrected them. On the whole, the film has probabilities of fetching good reviews from down-south audiences and by word of mouth will have a slow pick-up.


Achu (Gopal) and Kichu (Vasudev), hailing from a hamlet in Kumarakom live by their dream of owning a geared bicycle. In their journey towards their dream, the boys gets separated in the city and face unseen challenges. Gold coins portrays the journey of these two young brothers through a test of human values, conviction and perseverance.