Alejandro Tommasi

Distilling Love

A romance blossoms between a young country woman and the grandson of the late owner of a tequila company. The young man promises to return and marry his girlfriend once he finishes his studies abroad, unaware that she has become pregnant.

Wild at Heart

Mistreated by the Narváez family, the poor and innocent Maricruz is humiliated, abandoned, and imprisoned, losing everything. Upon discovering her true origins, she transforms into a wealthy and powerful woman. Driven by grief and the loss of her father, she vows revenge against everyone who made her suffer.

Laws of love

The story of two lawyers specializing in family law, Ricardo and Alejandra, that despite coming from two disappointments and being in a world where it seems that love loses strength, before so much divorce, they still have faith in finding true love.

Acapulco H.E.A.T.

Acapulco H.E.A.T. is a 1993 syndicated television series that followed the Hemisphere Emergency Action Team [H.E.A.T.], a group of top-secret agents based in Acapulco, Mexico and recruited by C-5, a secret government coalition, to fight terrorism and international crime. The team kept a low profile, by acting as models and photographers who represented a Beach Fashion enterprise.

El extraño retorno de Diana Salazar

El extraño retorno de Diana Salazar is a 1988 Mexican telenovela starring Lucía Méndez and Jorge Martinez. It is an unusual example of a telenovela which addresses supernatural topics.

El Manantial

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

The Marked Hour

La Hora Marcada was a 1986 Mexican television anthology series famous for its horror and science fiction themes in the vein of the Twilight Zone. Although virtually unknown outside the country, it achieved a popular and critical success in Mexico. It had a series of rotating writers and directors, among them Emmanuel Lubezki, Guillermo del Toro and Alfonso Cuarón.

Storm Over Paradise

Tormenta en el Paraíso is a telenovela that was made by Televisa. This telenovela has a blend of new talents and with figures of extense experience in the television, and it began filming scenes in locations in the states of Quintana Roo and Veracruz on September 20, 2007. The telenovela is a production of Juan Osorio, premiered November 12 of 2007 in El Canal de las Estrellas.

En carne propia

The year is 1972: Magdalena Dumont and Octávio Muriel are celebrating the birthday of their daughter, little Estefanía, at a party in the family mansion. However, this party is merely a backdrop and an opportunity to commit a crime.

Sortilegio

María José is a simple small-town woman eagerly awaiting her wedding day to Alejandro Lombardo, unaware that her “Alejandro” is actually Bruno—the half-brother of the real Alejandro—who has inherited a vast fortune.

Hasta que la plata nos separe

Alejandra and Rafael come from completely different worlds, but a life-changing accident brings them together. A massive debt forces them to stay close, sparking a relationship full of tension, passion, and unexpected emotions. Between jealousy, heartbreak, and fate’s twists, their story takes unpredictable turns that will test their connection.

Killer Women

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

El hogar que yo robé

Bajo la misma piel

Bajo la misma piel is a Mexican telenovela produced by Carlos Moreno Laguillo for Televisa and originally broadcast on Canal de las Estrellas from September 15, 2003, to January 16, 2004. Created by Martha Carrillo and Cristina García, the story follows four women from the same family as they face love, betrayal, family conflicts, and personal struggles. Sara, Regina, Miranda and Esther must overcome challenges such as an unhappy marriage, a complicated love triangle, illness, and forbidden relationships while searching for true love and happiness.

Doménica Montero

A respected and renowned businesswoman and philanthropist, considered one of the most sought-after brides in the country, who is left at the altar on her wedding day. Humiliated, betrayed, and turned into a target of public scrutiny, Doménica decides to flee and take refuge in one of her parents’ old estates. There, marked by pain, she faces new challenges and meets Luis Fernando, the owner of the neighboring estate, who also carries a painful past. Between them, an explosive relationship develops, marked by pride, misunderstandings, and growing attraction, where land disputes intertwine with their shared desire to rebuild, heal, and give new meaning to their lives.