
Fitil is a popular Soviet/Russian television satirical/comedy short film series which ran for about 500 episodes. Some of the episodes were aimed at children, and were called Фитилёк, Fitilyok, Little Fuse. Each issue contained from the few short segments: documentary, fictional and animated ones. Directed by various artists, including Leonid Gaidai who presented his famous trio of Nikulin, Vitsin and Morgunov into the cast. It was called in USSR as "the anecdotes from the Soviet government".

A seminary student on monastery holiday kills an old witch in a remote village. The hag then transforms into a beautiful young woman whose dying wish is for him to watch over her wake for three nights. With terrors occurring and his faith waning, he reads prayers on the overnight watch and tries to survive the supernatural encounters.

Living together in a workers' dorm, Katerina and her friends are determined to make it in Moscow. But when a boorish cameraman forces himself on her, Katerina finds herself pregnant and alone as her friends move on. Twenty years later, Katerina is a factory director, outpacing her old roommates career-wise, yet still alone but for her daughter. Love seems possible again when she meets a genial mechanic.


The screenplay is based on the short story of the same name by Vil Lipatov. It tells the story of a man with a difficult past who comes to a village in search of happiness, hoping to do good for others to the best of his abilities and talents.

Kirovakan, Armenia, 1968. A street in the town is being renamed, but nobody seems to know whom after. A chance encounter between a student running late to his thesis defense, and a young woman determined to leave the town forever. 25 years earlier, Genrikh Zakaryan, a young resistance fighter, smuggles a secret Nazi operations map through occupied territory. Imaginings and history meld into one, echoes of past and future coalesce: “the fate of Genrikh Zakaryan is intangibly intertwined with the fate of today’s youth.”

On falling in love with Sergey, Natasha gives up studies at a pedagogical institute and accompanies him to a construction site. In a course of time she realizes that her husband is interested only in his work. She leaves him, graduates from the institute and works as a teacher. But Sergey is fired for authoritative style of work and Natasha realizes that she must be near to him in his hour of need.

Sergey's girlfriend desperately wants him to quit dangerous police job. But Sergey doesn't want to abandon his new case which proves to be quite difficult.

Returning to his native village at the end of his military service, Victor (Yuri Sarantsev) brought his bride into the house - and soon they got married. Victor works on the collective farm with great enthusiasm, he is appointed a foreman, but the happiness of old Danila, Victor’s father, is overshadowed by dirty gossip - as if Victor’s father is not he, but Shandybovich, whose unseemly deeds were recently exposed by Victor.

Based on the novel of the same name by Mikhail Sholokhov, about the fate of people broken by the First World War, the October Revolution of 1917 and the Civil War in Russia (1917-1922), about the collapse of the foundations and ideals of the Don Cossacks of Russia at the beginning of the XX century, about the personal tragedy of the protagonist — Grigoriy Melekhov.

Filmed in the context of the fortieth anniversary of the creation of the Komsomols, the League of Young Communists, tells the story of three youth delegates from the League in 1918, who must make the dangerous journey to Moscow during the civil war to participate in League’s congress.


On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.

