
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A gifted woman's intellect brings chance to lead covert European police force. But it backfires, costing her everything. Following murder at her home and kidnapped heiress, her ex-supervisor enlists a policeman's aid to reinstate her.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

Malasaña neighborhood, Madrid, Spain, 1976. While political turmoil ravages the streets all over the country, the Olmedo family arrives in the big city and settles into their new apartment. They soon discover that they are not the only ones roaming its corridors.


A comedy of manners that follows the daily miseries and constant micro-humiliations suffered by José Ramón and Berta, a married couple in whom no one, not even they themselves, has much faith.


Jesus and María are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.


A mixed salad and a trout meet on death row: The cold storage of a restaurant. They decide to unite in a single dish that will lead them to eternal love.

After her experiences in Nazi Germany, actress Macarena Granada traveled to Hollywood, where she became a star. In the 1950s, the diva returns to Francoist Spain to star a Hollywood blockbuster about Queen Isabella I of Castile. (A sequel to The Girl of Your Dreams, 1998.)

The rude, lewd and crude Spanish ex-police officer Torrente finds himself facing jail time. Can he survive a twisted irony that places him where he has put so many others, both guilty and innocent?