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Wayward Kenting is a 20-part TV series produced by Honto Production and directed by Doze Niu. Most scenes were shot in Hengchun, Taiwan. Wayward Kenting received the 43rd Golden Bell Award for Best Writing for a Television Series and nominations in three other categories.

In 2011, Vicky looks back on her life a decade earlier, recalling her turbulent relationship with her controlling boyfriend Hao Hao and her growing connection to a compassionate gangster amid the neon haze of Taipei's nightlife.

Xia-dou and Ji-dan left their families and friends in Thief Village to sit in a dungeon as subsitute prisoners in exchange for favor from the local law enforcer. The warden, knowing they are good in physical skills, sent them on a side job. The kids broke in a heavily guarded examination ground, swapped two exam papers for the client and stole a pair of golden eyes from a big lion chop for themselves. The missing gold detoured the detective's trail to the master schemer. As the conspiracy unfolded, the governor decided to eradicate the whole village to cover up his involvement with the master schemer. Life in Thief Village has never been easy. But fate never mocked them so hard. It turned out that the gold they so cherished was fake. So were many other things they believed in. In despair, Xia-dou's Great grandfather, the 125-year old personage called upon the sky and recevied a most fantastic answer.

A gutsy police detecive and his team of cops probe into the widespread illegal dealings of a criminal mastermind who schemes to redeem himself by running for government office in taiwan.

Ah-Ching and his friends have just finished school in their island fishing village, and now spend most of their time drinking and fighting. Three of them decide to go to the port city of Kaohsiung to look for work. They find an apartment through relatives, and Ah-Ching is attracted to the girlfriend of a neighbor. There they face the harsh realities of the big city.

In 1949 when the Communist regime was established in China, the world-famed painter Ling Chen-kuang, believing his conviction for a new-born society had come true on his motherland, returned anxiously from the U.S., whither he had fled apprehension by lawmen when cracking down on rebellious activities he had actively engaged in out of cynicism and hostility – the feelings evolved from constant haunting by the memories of his childhood miserableness – to the then existing institutions in China. Alas, to his disillusion, the land he had so deeply loved, the society of which he had expected so much, should have turned out to be the hell on earth. Why? The enigma kept obsessing and puzzling him even to his dying moment.

Set in the 1980s, “Monga” centers on five boys (Mosquito, Monk, Dragon, White Monkey and A-Lan) who join the "Gang of Princes" who are tired of being pushed around. As the "Gang of Princes" rise in stature, they come into conflict with other gangs jealous of their rising power.