
Véronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Véronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Véronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.

Kapitan Sowa na tropie is a Polish series from 1965 directed by Stanisław Bareja. It was the first Polish criminal series made after World War II.

Kapitan Sowa na tropie is a Polish series from 1965 directed by Stanisław Bareja. It was the first Polish criminal series made after World War II.



In a small village in West Prussia in the 1870s, Germans, Poles, Gypsies and Jews live together as neighbors. One night Johann, a German mill-owner, secretly opens the dam gates and floods the mill of his Jewish rival Levin. After his business is ruined and his calls for justice go unanswered, Levin leaves town.

A young doctor is tired of being sought by women. One night he meets a young girl who all but forces herself into his room where they talk of morals and love.

At the turn of the century, Lodz, Poland, was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a Pole, a Jew, and a German, pool their money together to build a factory.


Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.

The world has been ravaged by nuclear war. The planet is frozen and radiation kills anyone or anything that ventures outside of 'The Dome'. Soft is a shepherd for the last remnants of humanity who have gathered together as they await rescue from a mysterious craft known only as 'The Ark.' He wanders among the masses, performing his regular daily tasks; keeping morale from plummeting, wooing prostitutes, squashing rebellions, and sometimes feeding the hungry. But as the true and sinister nature of 'The Dome' comes to light, Soft must ask himself if humanity is worth saving...

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

An actress travels from Warsaw to Paris and during the trip reflects on the last few years of her life. It goes back to the German occupation and her hiding of a fellow actor who has supposedly killed a collaborator.

"Deserter's Gold", the sequel to the very popular "The Deserters", is a rich war comedy, skipping humorously around the more serious dangers of a war. Deserters Gold takes place during World War II, while the first film happened during WWI. The heroes' mission is to rob a Nazi-run bank in Poland for gold that will buy military supplies for the Polish Underground.

Set in 1918, this World War I drama follows a group of Austro-Hungarian soldiers—Czechs, Jews, Italians, and others—confined in a provincial barracks under German officers. Subjected to the cruelty of a sadistic lieutenant, they rebel, humiliate him, and later attempt escape. Disguised as guards for veterinary surgeons in Budapest, the deserters are eventually recaptured and returned for court-martial, forced once more to face their tormentor.