

Nicanor, his wife, and his in-laws watch Cuban television. In a single twenty-minute shot, the differences surface between Nicanor, who supports the Revolution, and his father-in-law Damián Rodríguez, a former Batista supporter. The two women try in vain to mediate, and the conflict seems irreconcilable. However, they have no choice but to make up with each other every night.

Amor Crónico follows Grammy-nominated, Cuban-born CuCu Diamantes as she embarks on a whirlwind tour of her home country. Interweaving glamorous live performances with a fictional romance, the film pays tribute to the history of cinema in surreal fashion. Backed by a high energy Latin soundtrack, Cucu's journey is a visual love poem to the sites, sounds, and people of Cuba.

Jose Luis, a young boy with aspirations to become a scriptwriter and director of cinema, is dazzled on having known the beautiful Sissy. To impress her, he appears as the director who looks for a not professional actress. She, that the whole life has dreamed of being 'discovered' but that it is not naive with men, pretends not to be interested. They begin a relationship in wich both are not as they wanted to be.

The story of Iluminada, a woman who, having studied to be a literature teacher, ends up working as an usher in an iconic cinema in Havana.

An approach to a living myth of dance, Alicia Alonso, from the viewpoint of her passion, tenacity and devotion to art. It includes fragments of the ballet Giselle, choreographed by her, based on the original by Jean Coralli and Jules Perrot, and of La Diva, choreographed by Alberto Méndez.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

In Havana in the nineteen sixties, there were 140 movie theaters. Only a dozen remain today. For ten years, the cinema industry was a pillar of the Cuban Revolution, but the regime’s hardening and the economic recession precipitated its decline. Fifty years later, only a dozen movie theaters are still running in Havana, while a new generation of bold filmmakers struggles for the very existence of Cuban cinema. In the Heat of the Cold Years tells the story of Revolutionary Cuban cinema through the memories of a choral of elder filmmakers, such as Luciano Castillo, the director of the national film archives, as he scrambles for the preservation of this crumbling cultural legacy, and through a group of young Cuban filmmakers struggling to make their first feature film.

A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.

An anthology film presenting the stories of five different women who struggle for identity and self-esteem in their love relationships. A bittersweet image of Cuban reality.

A fugitive bursts into the home of two Catholic nuns. In an attempt to save his life, they hide him from the marauding military patrols, despite the danger they face if they are caught.

Pioneering Spanish filmmaker, actress and producer Margarita Alexandre (1923-2015) reminisces about her life and career during a trip to Cuba, where she worked during the early years of the Cuban Revolution.

Walter, an aspiring musician from Madrid, has a lot of troubles. After finding a videotape, he learns something which will alter his whole life, and put his Madrid problems on hold. In the tape, a Cuban woman confesses to being his mother. She is waiting for him in Havana. Walter goes to Havana to see his mother. There, the plot thickens with the addition of the mother's daughter, and a Spanish airline crew member, who round out the quartet.

On December 31, 1958, a detective investigates the theft of a painting from the home of a wealthy widow in Havana. The relationship between the two, amid investigations and danzones, reveals the history of the house and the family. The arrival of the bearded men in Havana changes the course of events.