Angélica Aragón

Principessa

Principessa is a Mexican telenovela produced by Valentín Pimstein for Televisa in 1984.

Agujetas de color de rosa

Agujetas de color de rosa is a Mexican youth telenovela produced by Luis de Llano Macedo for Televisa and originally broadcast on Canal de las Estrellas from April 4, 1994, to May 26, 1995. Created by Susan Crowley, adapted by Sergio Schmucler, and with literary supervision by Gabriela Ortigoza, the telenovela stars Angélica María, Alberto Vázquez, Carlos Bracho, Natalia Esperón, Flavio César, and Alexis Ayala. The story follows Elisa Morán, a widow who is left in financial ruin after the death of her wealthy husband. As she struggles to rebuild her life and raise her three children, her daughter Paola falls in love with Martín, a talented young singer. Together, they face family conflicts, jealousy, betrayal, and the challenges of pursuing their dreams while discovering the true meaning of love, friendship, and perseverance.

Chispita

The story follows Isabel—known as "Chispita"—who was separated from her mother after the latter lost her memory in an accident. After growing up in an orphanage, Isabel is adopted by a widowed businessman, Don Alejandro; he hopes she will bring joy to the life of his daughter, Lili, who has become sad and ill-tempered since her mother's death—largely due to the influence of her teacher, the wicked Miss Irene. However, contrary to Alejandro's expectations, Isabel is not welcomed by his daughter; instead, she must contend with the malicious traps set for her by Lili and Miss Irene. Yet, Isabel also finds friends in the household, such as Juan Carlos (Lili’s older brother) and Gloria (the family’s maid). From her new home, Chispita begins the search for her mother.

La fiera

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Mirada de mujer: El regreso

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

El hogar que yo robé

Dune

In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.

La casa al final de la calle

Cañaveral de Pasiones

Cañaveral de Pasiones is a Mexican telenovela produced by Christian Bach and Humberto Zurita for Televisa and originally broadcast on Canal de las Estrellas from April 22 to September 3, 1996. It is based on the stories Una sombra entre los dos and Al pie del altar by Caridad Bravo Adams, adapted for television by María del Carmen Peña and José Cuauhtémoc Blanco. The story follows Julia Santos and Pablo Montero, two childhood friends whose lives are torn apart by a tragedy that sparks hatred between their families. Years later, Pablo returns to his hometown engaged to another woman, only to realize that he still loves Julia. As they struggle to rekindle their romance, they must confront family rivalries, dark secrets, jealousy, and betrayal that threaten to keep them apart forever.

Vanessa

En carne propia

The year is 1972: Magdalena Dumont and Octávio Muriel are celebrating the birthday of their daughter, little Estefanía, at a party in the family mansion. However, this party is merely a backdrop and an opportunity to commit a crime.

Más allá del puente

Alicia Sandoval and Eduardo Fuentes are already married and are happy waiting for the arrival of their first child. This incites Ofelia, Eduardo's mother, to take revenge on Alicia for having taken her son from her. Carolina and Luis Enrique are very much in love and ready to marry as soon as they finish school. Chole also lives happy for the marriage of her daughter, Lupita, with Jacinto, and also eager to have Alicia's son in her arms. ' On the other hand, Rosalía, Jacinto's sister, falls in love with a good man named Felipe, but she is forced to give up on him to marry Valerio, the son of a powerful and terrible businessman from La Antigua.

La Chacala

Javier takes Delia, his pregnant wife, to his ranch in a remote village. Although she's surrounded with love and comfort, Delia has an uneasy feeling. One day, Javier goes out hunting and kills a deer, which to his horror turns out to be a man. Javier's servants toss the corpse over a canyon and tell him to forget the incident, but the dead man's ghost seeks out his mother, the local witch, and begs her to avenge his murder. The witch turns up at Javier´s ranch, and under a mysterious and unexpected shower of thunder and lightning, curses the family. Javier's wife shall bear twin daughters, one of which shall be a fearsome demoness. A day later, Delia goes into labor and gives birth to a healthy baby girl. Everybody feels calmer after the birth, yet a couple of hours later, Delia gets labor pains again. This time she's ripped apart by another baby girl. Delia bleeds to death, yet because the two girls look identical, both healthy and beautiful, it´s hard to know which one killed her mother. Several years later, the identical twins have very different personalities. Gilda is an independent doctor and a city dweller. Her twin Liliana is a frail invalid who resides in the ranch. However, one of them harbors inside the dreadful Chacala, which will soon materialize to wreak havoc among those around her.

Mirada de Mujer

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

Días sin luna

Días sin luna is a 1990 Mexican telenovela produced by Juan Osorio and directed by Rafael Banquells based on an original script by Eric Vonn. It was aired in Canal de las Estrellas Monday to Friday at 17:00 between May 14 and August 31, 1990.