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Jordi Vilches
Known for
La que se avecina
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
The Ministry of Time
A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.
The Countryside
A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.
Welcome to the Family
When an evicted single mom's estranged father dies, she and his second wife cover up his death after learning they've been written out of his will.
La casa nostra
Miqui shares an apartment with his best friend, Èric, and leads a more or less stable life until, in the span of just a few days, two unexpected events force him to rethink his entire future. Left with few alternatives, he ends up moving back into the family home, where he must live with his parents again while trying to rebuild his personal and professional life. Surrounding him are neighbors, friends, and family members who turn every minor daily issue into an endless source of complications, misunderstandings, and situations that are absurdly relatable.
La casa nostra
Miqui shares an apartment with his best friend, Èric, and leads a more or less stable life until, in the span of just a few days, two unexpected events force him to rethink his entire future. Left with few alternatives, he ends up moving back into the family home, where he must live with his parents again while trying to rebuild his personal and professional life. Surrounding him are neighbors, friends, and family members who turn every minor daily issue into an endless source of complications, misunderstandings, and situations that are absurdly relatable.
La fuga
A woman puts her life at risk by infiltrating a maximum security prison in order to help her husband escape.
Siempre Habana
Ignacio and his nephew Tomasín are two Galician businessmen sharing a family inheritance bonus with their cousin Divina Luz, cuban-born, but of Galician descent. The division of the property is notarized in Santiago de Compostela, where Divina Luz is received by his unknown family.
Gente Cerca
Gente Cerca is one of the most popular social networking sites on the internet. Its use, advantages, and risks are the same as always. The user decides. And Dolors is a very special user.
Me Sometimes Always
A pregnant woman navigates life as a single mom in Barcelona, facing ups and downs as she raises her toddler son in the vibrant Spanish city.
El despertar
Nico and Dani
While his parents are away for the summer, 16-year-old Dani invites his best friend, the irrepressible Nico, to stay for the holidays. Jealously rears its head when Nico appears more interested in the local girls than in Dani. Hot summer nights and too many joints lead to experimentation which neither boy can talk about, a situation complicated by the appearance of the older and openly gay Julián, a published writer and old friend of Dani’s father.
The Living NEET
El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.
