

The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.

Londyńczycy is a Polish TV drama series about Polish immigrants in London, aired on TVP 1 since late 2008. It is currently aired on Community Channel. The title music for the series is the Robbie Williams song "Supreme".


The dark world of crime: murders, racketeering, drugs, kidnappings. There are no rules here. Working in this world makes cops cynical and ruthless. There is a fine line between them and criminals - will any of them cross it? The main characters are officers from the Department for Counteracting Criminal Terror and Homicides. The action of the series is an extension of the threads that appear in the feature film. It presents in a realistic way the brutal and dark world of crime that officers encounter on a daily basis. They're not just tracking down murderers. They fight racketeering, kidnapping, drug trafficking while struggling with their own day to day life and problems.

When their latest heist goes wrong, three older female burglars evade officials by hiding out in a nursing home — where they uncover a sinister secret.

A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?

Cezary Pazura invites ten comedy stars and entertainment personalities to a unique challenge, where they can’t laugh for six hours. Contestants try everything to make others laugh while keeping a poker face at the same time. Those who can’t make it are out of the game. See who will be the last one laughing!


Based on a true story, Emi — a young, ambitious girl, dreams about life outside her small town. When an opportunity arises to become an exclusive escort, she jumps in without hesitation. Soon she climbs the ranks and starts her own VIP escort service; recruiting Polish celebrities, actors, singers, and models. However, the luxurious and enticing world eventually shows its dark side.

During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.

Rainer Dulsky, a professor of psychiatry from Switzerland, comes to Melania, the granddaughter of Mrs. Dulska. He feels he’s got something in common with the tenement house in which the Dulski family live... Melania, a film director, intrigued by her family history joins Rainer in his research. Their discoveries will take them back to the past full of secrets that were meant to stay hidden forever. The Dulski family have much on their conscience...

Zosia is a young, beautiful and intelligent girl. No man can resist her charm; they are all ready to abandon their entire previous way of life for her and shower her with gifts, just to win the heart of this enchanting young woman. She skillfully exploits her seductive gifts, all the more so because she herself has never yet felt the love her hapless admirers lavish upon her. But everything has its limit. When she meets Mateusz, she discovers what it truly means to love.

Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.

Desires, obsessions and unfulfilled love - the psychedelic formula of the play pushes the previous boundaries of communication with the audience.