
Their mission is simple: Find a cure. Stop the virus. Save the world. When a global pandemic wipes out eighty percent of the planet's population, the crew of a lone naval destroyer must find a way to pull humanity from the brink of extinction.

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

In the tradition of Anthony Bourdain's "Kitchen Confidential" and Gelsey Kirkland's "Dancing on my Grave" comes an insider’s look into the secret world of classical musicians. From her debut recital at Carnegie Recital Hall to the Broadway pits of "Les Miserables" and "Miss Saigon," Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in "Mozart in the Jungle," Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.

Ultraman Max was an Ultraman TV series which started airing on 7 July 2005, and produced by Tsuburaya Productions and Chubu-Nippon Broadcasting Co., Ltd.. The show tried to return to the true formula of new monsters every week and being a fast paced show like previous series with the exception of Ultraman Nexus. The show is full of homages to past series by having three of the original cast members from the first Ultraman series being featured in an episode, updated versions of classic monsters like Red King, Eleking and Pigmon among others. One unusual episode revolves around the filming of the 1964 program Ultra Q which was the predecessor to the first Ultraman show in 1966. Two actors from that show appear as themselves.

Years after retiring from their formidable ninja lives, a dysfunctional family must return to shadowy missions to counteract a string of looming threats.

This anthology-style mystery series is part of the D‑5 PROJECT, centered around Detective Office 5 - a long-running private detective agency in Kawasaki. Each detective is known only by a number rather than a name (e.g., Detective 596, 532), with standalone stories featuring different characters and surreal, quirky cases.

The story begins with the disappearance of a school bus and four high school girls. Still unsolved three years later, the case gets revived when one of the girls reappears. Odagiri plays a sharp national investigator searching for the truth behind the incident, which leads back to a seemingly peaceful town.

With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

A disillusioned filmmaker has an encounter with a young woman who has a ritual of repeating "Tomorrow is my birthday" everyday. He tries to communicate with her through his video camera.

A deadly virus threatens to wipe out an entire Rocky Mountain town, leaving the town doctor to find some way to escape the soldiers who enforce the town's quarantine and devise an antidote. Matters take a more deadly turn after the physician is captured by a dangerously unstable band of militia extremists.

Dr. Kirishima is a genius plastic surgeon who gives his patients brand new lives.

Hideaki Anno's documentary about the making of Shusuke Kaneko's Gamera 3: Revenge of Iris. From concept to film, the documentary is a video diary of the film's production.

A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

Years after she related to him the story of her parents’ death in a fire, for which – rightly or wrongly – she feels responsible, Japanese psychiatrist Dr. Sanada meets his former patient Azusa once again. Back then, she lambasted him for being wrong for the job. Back then, he let slip that she isn’t actually crazy. Now she’s a prostitute living in precarious circumstances in Los Angeles and is accused of murder, with her memories once again moving inexorably towards a fire. Sanada assesses her in the presence of an investigator who appears not to understand Japanese. Is Azusa now mentally ill for real? Was she back then? And why does the description of her tormentors upset him so?