Nikolay Kochegarov

State Border

From 1917 to the end of the 1980s, Soviet border guards are stationed on the territory of the USSR from the Far East to the western borders.

The White Horse

The White Horse is a Russian TV serial broadcast in 1993. The film, in 10 episodes, was directed by Gelii Ryabov. It presents the Russian civil war in Siberia from 1917–1920 and the struggle of the White Russians under the command of Admiral Alexander Kolchak against the Bolshevik forces, until his final defeat.

Little Tragedies

Based on Pushkin's "Little Tragedies" ("The Miserly Knight", "Mozart and Salieri", "The Stone Guest", "A Feast in the Time of Plague").

Subjects of the Revolution

It is dedicated to the memory of Heinrich Zveinek, the first commissar of the Inzen Division, who died during the defense of Lugansk and was buried on Red Square.

Interesnye Muzhchiny

Life in a 19th century Russian town is focused on a group of wealthy Cavalry officers, who are enjoying their 'life in style'. Officers are flirting with beautiful women, playing cards and are having lots of fun. One winter day a visiting foreigner is invited to join the Russian officers for a card game.

In Protest

At the center of the story is the story of the relationship between the employees of the service station and a hapless customer who has lost hope of getting his car.

Time of Darkness

In Middle-Age Russia, a christian preacher arrives, proposing a new order. He threatens those who take part in a pagan festival with the flames of hell. But when strange crimes start to happen, local leaders decide to investigate.

Authorized by the Revolution

Turkestan, 1919. The prominent Bolshevik Valerian Kuybyshev is appointed commander of the Turkestan Front. The film tells the story of the establishment of Soviet power in Central Asia.

Identification

The hero of the film consciously goes to extreme actions and analysis of the psychological process, where subconscious pictures of visions and discoveries give grounds for real fears for the future of humanity. The semantic and pictorial fabric of the film develops against the background of deep retrospectives about the emergence of Christianity. The film was shot in 1991 by actor Nikolai Kochegarov in Minsk.

Marquis de Sade

Based on the true story of the notorious Marquis de Sade. In 18th century Paris, an innocent beauty's search for her missing sister leads her into the deadly sensuous realm of the infamous Marquis de Sade. Imprisoned for his sordid crimes, the Marquis likewise has the beauty morally trapped... for she must help him complete his banned book of lust, or never learn the fate of her sister. It becomes a test of wills and wit, as the Marquis attempts to convert her to his deviously sexual philosophy. When the Marquis escapes his prison, she must follow him to his remote chateau of sin to finally discover her sister's fate, and to face her own.

We're from Jazz

A music student is expelled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.

Foreword to the Battle

Second One

Crime drama with elements of mysticism, existential drama. A love triangle with an unpredictable ending. The film is based on a real criminal case.

The Prisoner of If Castle

A Russian version of the classic Alexandre Dumas novel. Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d'If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him

Search

The film consists of 14 fragments, which focus on intersections of dramatic events in the history of Ukraine in 2014-2016, and specifically in the history of the city of Mariupol, and personal experiences of the filmmaker. The beginning. Water. Music. Jokes. Monuments. Events. Buenos Aires. A tree. Talking to God. Film. A trap for nearly everyone. Walls of Joy. All I think is fire. The end.