
The everyday life of people in Mexican neighborhoods, where anything can be found. Each episode interacts between these peculiar neighbors, where they encounter real and fictitious problems.


Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.

Tú y yo is a Mexican telenovela created and produced by Emilio Larrosa for Televisa and originally broadcast on Canal de las Estrellas from September 4, 1996, to March 20, 1997. Written by Alejandro Pohlenz, with story development by Verónica Suárez, the telenovela stars Maribel Guardia and Joan Sebastian. The story follows Estela Díaz-Infante and Tomás Santillana, whose romance blossoms despite the many conflicts surrounding the wealthy Santillana family. As they struggle to build a life together, they face jealousy, betrayal, family rivalries, and the schemes of those determined to keep them apart, testing the strength of their love and loyalty.

The apartment that every man wants to have, a unique place shared by four childhood friends, who have one day a week to carry out their conquests.



The story of a woman whose world seemingly crumbles when she suffers a stroke. What at first seems like a tragedy ends up being an opportunity to reunite her family and rebuild her life.

Three ghostly compadres try to finish their earthly business before moving on to the afterlife.

A man convinces his wife to let his lover live in the same house as them... until his wife reveals she has a lover of her own.

Miguel Sanabria is a masked philandering wrestler who will live great adventures to fulfill his dream of wrestling in Los Angeles. This is a hilarious comedy in which good and bad intentions, addictions, and sects, play a decisive role in our hero's attempts to cross the border.




A circus fakir performs a crucifixion act to earn enough money to secure a home for his mother. As the spectacle intensifies, the boundary between devotion, showmanship, and danger begins to blur.